Say and Seal, Volume II — A Reader’s Guide
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So came the holiday week, wherein was to be done so much less than usual--and so much more. Mr. Linden's work, indeed, was like to double on all hands; for he was threatened with more tea-drinkings, dinners, suppers, and frolics, than the week would hold. How should he manage to give everybody a piece of him, and likewise present himself entire to the assembled boys when ever they chose to assemble?--which promised to be pretty often. How should he go skating, sliding, and sleigh-riding, at all hours of the day and night, and yet spend all those hours where he wanted to spend them? It was a grave question; and not easy, as he remarked to Faith, to hold so many feelings in his hands and hurt none of them. So with the question yet undecided, Christmas day came.
It was a brilliant day--all white and blue; the sky like a sapphire, the earth like a pearl; the sunbeams burnished gold.
"Ha' ye but seen the light fall of the snow, Before the soil hath smutched it?"--
Such was Pattaquasset, Christmas morning. And the bright lily,
"Before rude hands have touched it,"
that was Faith Derrick when she came down stairs. The dainty little crimson silk hood which Mrs. Derrick had quilted for her, was in her hand, brought down for display; but at present the sitting-room was empty, and Faith passed on to her work-basket, to put the hood in safe keeping. She found a pre-occupied basket. At some unknown hour of the night, Santa Claus had come and left upon it his mark in the shape of a package: a rather large and rather thin package, but done up with that infallible brown paper and small cord which everybody knows by instinct. Who ever looked twice at a parcel from _that_ wagon, and doubted whence it came?
Faith's cheeks took an additional tinge, quite as brilliant as if the crimson hood had been on. What doubtful fingers lifted the package from the basket!
The thing--whatever it was--had been done up carefully. Beneath the brown paper a white one revealed itself, beneath that a red leather portfolio--made in the pretty old-fashioned style, and securing its contents by means of its red leather tongue. But when Faith had withdrawn this, and with the caution always exercised on such occasions had also drawn out the contents, she found the prettiest continuation of her Italian journey, in the shape of very fine photographs of all sorts of Italian places and things, mingled with here and there an excursion into the Swiss mountains.
A few almost awe-stricken glances Faith gave; then she put the photographs in the portfolio again, scarcely seen, and looked at the outside of the red leather; felt of its smooth surface with admiring fingers that hardly believed what they touched, and a face glowing with a very deep glow by this time. Faith thought herself rich, beyond the imagination of a millionaire. But after a little mute amazed consideration of her happiness, she rushed off to the kitchen to signalize the Christmas breakfast--and perhaps spend a few of her too many thoughts--by the preparation and production of one of Madame Danforth's nice, but in Pattaquasset unheard of, delicacies; and when all the rest of the breakfast was ready, Faith demurely went in with her dish.
She had not a word of acknowledgment for Mr. Linden, which was ungrateful. She gave him her hand, however, with a manner and look which were graceful enough; being at once open and shy, very bright, and yet veiled with a shade of reserve. She had been over the fire, so her face was naturally a little rosy. There was no particular reserve about him,--his "Merry Christmas" was not only wished but carried out, so far as breakfast time extended. Faith might be as demure as she liked, but she had to be merry too; so on the whole the breakfast room was beaming with more than sunlight. Yes, it was a merry Christmas!--merry without and merry within,--that sort of merriment which "doeth good like a medicine." Gay voices and steps and snowballing on the broad street; gay snowbirds and chickadees in the branches; in the house glad faces; over and upon all, clear sunshine and the soft hush of a winter's morning.
"What are you going to do to-day, mother?" said Faith towards the close of breakfast time.
"I'd rather look at you than anything else, child," said her mother, "but I've got to go out, you know. What are _you_ going to do Faith?"
"All sorts of things, mother. Mr. Linden?"--
The second volume of Say and Seal opens with a Christmas morning that is "all white and blue; the sky like a sapphire, the earth like a pearl"—a scene of crystalline beauty that immediately sets a tone of heightened sensibility. Yet the holiday week brings a problem for Mr. Linden: how to "hold so many feelings in his hands and hurt none of them" as social demands multiply. This tension between outward festivity and inward constraint runs through the excerpts, where a gift of Italian photographs, a doctor's persistent attendance, and a feverish letter-writing campaign all reveal characters managing what they cannot openly express.
The Language of Objects and Gestures
The Warners invest everyday objects with emotional weight. Faith's Christmas gift from Mr. Linden—a red leather portfolio containing photographs of Italian and Swiss scenes—is described with almost ritualistic care: the brown paper, the white paper beneath, the "pretty old-fashioned style" of the portfolio itself. Faith's handling of it is cautious, almost "awe-stricken," and she puts the photographs back "scarcely seen" to feel the smooth red leather. This is not mere description; it is a coded language of affection that cannot be spoken aloud. Similarly, the "diamonds sparkling against her brown wrapper" during her convalescence hint at a private significance. The narrative trusts readers to read these objects as signals of attachment, without the characters ever stating their feelings directly.
Illness as a Stage for Power and Vulnerability
Faith's illness in Chapter XXII transforms the dynamics between her and Dr. Harrison. Where earlier he was kept at a distance, now he sees her "twice at least in the twenty-four hours" and enjoys "the freedom and authority of his office." The narrative notes that his care is "unbounded" yet not alarming—a fine line between professional duty and personal interest. Faith, meanwhile, writes letters to Mr. Linden despite "aching head and burning fingers," deliberately hiding her condition to avoid interrupting his studies. The contrast is sharp: Dr. Harrison gains access through illness, while Faith uses illness as a reason to conceal her true concerns. The room itself—"wainscotted with light blue and whitewashed, and furnished with the simplest of chintz furniture"—becomes a setting where vulnerability and strategy coexist.
Unspoken Rivalry and the Weight of a Name
A single, charged exchange in Chapter XXI reveals the submerged conflict. When Dr. Harrison objects to Faith reading her Bible, she responds with a pointed reference: "Don't you remember you confessed to me once that somebody had told you you had but half learned your profession?" The narrative notes that Faith "trembled" and "dared not speak the name she alluded to," but the implication is clear—Mr. Linden has been that somebody. Dr. Harrison's silent reaction—"the tremendous bound his mind made with the question,—'Is it that book that stands in my way?—or HE!'"—lays bare the rivalry without a single word of direct confrontation. The Warners thus dramatize a love triangle through oblique references and internal monologue, trusting the reader to connect the dots.
Readers attentive to the Warners' method will find that the most significant action in this volume occurs in the spaces between dialogue: in the handling of a gift, the feverish writing of a letter, the unspoken name that hangs in the air. The narrative rewards close attention to physical detail and to what characters choose not to say. As Faith sits in her easy chair, the spring air and wood fire making the plain room "cosy and pretty," the novel's quiet power lies in its ability to make restraint feel as urgent as declaration.
There are books that leave a quiet ache, like Say and Seal with its unspoken glances and the weight of duty around Christmas. That same hush lives in the pages of The Inner Flame: A Novel — A Closer Reading, where one person’s hidden warmth flickers against the cold of expected faithfulness. I keep thinking about that still, silent pull.
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